Wednesday evening at Store Vega was not a typical pop concert. It was a study in intentionality. Finneas, the Grammy-winning producer and artist, curated a set that was defined not by spectacle, but by tone, tact, and intimacy.
Finneas’ ability to command the stage with only a guitar, piano and his unmistakable voice highlighted the natural sincerity he has that makes him such a strong performer. While many contemporary pop shows rely heavily on elaborate visuals and effects, his stage setup was basic and minimalistic. It virtually felt like being in a cosy basement studio – with the focus squarely on the music itself.
Finneas’ vocals were impressive, as he never fell flat or sharp, in full control of both laidback bonfire spoken-word bass notes and the high notes. His congregational fans eagerly sang along, their voices blending seamlessly with Finneas’ own.
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Jam feeling and improvised anecdotes
It is crystal-clear that Finneas just loves being on stage and has a genuine connection with his audience. He frequently pauses between songs to share personal stories – improvised anecdotes, slightly encrypted but funny and warm jokes about his band members, a sudden pause, smile and phrase directed at a person in the audience. This interaction never feels scripted and simply has a very disarming charm to it.
Stripped-back moments like “Angel” reminded fans of his singer-songwriter roots. The room fell nearly silent, the audience swaying gently, fully present in each lyric, waving their cell phone flashlights like small candles. One of the most emotionally resonant performances came during “Family Feud” – a standout thanks to a heartfelt dedication to his sister. It felt less like a show and more like a tender, shared moment. There is an indisputable Beatles feeling in this particular song – and that is no shame, rather a gesture, since all artists have inspirations. No matter how creative and unique.
Ceremonial potential
“The Kids Are All Dying” is a beautiful, dramatic track and piece of storytelling from the COVID pandemic – and it was marvelously delivered at Vega. Funky, insistent, tight and with great rhythmic authority. Finneas closed his set with “For Cryin’ Out Loud!”, the title track from his latest album, which neatly summed up the emotional depth and craftsmanship of the evening.
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Get Started NowTonight Finneas definitely proved he’s more than an ingenious producer, co-writer or Billie Eilish’s brother.
His set ebbed and flowed with precision, blending electric energy and tender intimacy. Speaking of his sister, she played two consecutive shows at Royal Arena in Copenhagen just prior to Finneas’ show at Vega. Thus, their European tours converged at this timeline mark in the Danish capitol.
It would have been a tremendous treat – almost a ceremonial experience – if she had paid homage and a visit to Vega for a couple of songs with her brother, and it would have felt logical in every aspect. But unfortunately she didn’t. Her shows at Royal Arena blew everyone away with superior reviews – so I guess she deserved a night off just chilling.
